August 30, 2012
Just paid a visit to Cinepost to give a helping hand to the grading of the film I shot for Opacity Sthlm last week. The director (and friend), Emanuel Danneman, had to go to Gothenburg, so I had to deal with the look design by myself. But is there anything as joyable as to sit next to a professional colorist senior with his million dollar equipment, and se how he turns your footage into beauty? And, as in this case, when shot on Red Epic, there’s also a hole lot of information to play around with!